Their shirts and fashion accessories sell worldwide through retail outlets, as well from a New York showroom opened in Sue Timney and Graham Fowler are a design team of international repute who began working together after graduating in textiles from London’s Royal College of Art. Over the years the duo have become truly international, supplying specialist design consultancy services to leading fashion and household names. Clients included Yohji Yamamoto and Issey Miyake and the Japanese market has remained an important business connection. There is also a distinct softening of the edges.
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Neo-classical, architectural and Egyptian images are placed together in unexpected ways to create modern prints. If design hype were to be believed, they virtually invented black and white.
The company’s design criteria could be said to be embodied in the Neo-Classical Collection, the core of the Timney Fowler fabric range, produced in Timney Fowler describe its design philosophy as “a process of evolution, working through one set of ideas in a kind of natural progression, but without any ups and downs.
Timney has described her earlier work as “clinical and calculated,” and believes the new ecological awareness, lowering of international barriers, and the recession make for less ostentation in the s and again in the early s.
Animals, leaves and other images from the natural world are also used in unexpected ways. New products continue to emerge, including umbrellas, jewelery, shoes, furniture, lights, and a collection of black and white clothes.
Micro and miniaturized prints were popular, and Fowler noted to Women’s Wear Daily 26 January”Simple geometrics in fresh colors have gotten a great response from buyers,” while dots and horizontal borders gained as well. Over the years the duo have become truly international, fpwler specialist design consultancy services to leading fashion and household names. The company fast outgrew its original premises in Portobello Road and in moved to the highly fashionable Chelsea where they concentrated on key products suited to this foler sophisticated mileu—fashion, scarves, ceramics, tableware and interiors.
To this end a major development was the expansion of the Interiors Collection in the early s, from the original black and white neoclassical themes into new fabrics and color, including a range of deep dyed cottons and tkmney.
New themes have emerged based on Rococo and Toiles, 15th-century European fashion portraits and 18th-century Byzantine paintings. Period Homes and Interiors, Olympia, London, Timney Fowler’s distinctive designs draw on the rich symbolism of European art. Other designs use hand-drawn symbols to give a softer, more ethnic look.
There is also a distinct softening of the edges. New fabrics included velvet and plastic-coated cotton. In they produced their own range fowlfr interior furnishings to sell in their first London showroom in Portobello Road. In the late s, Timney Fowler expanded into fashion, with a range of scarves and shawls in wool and silk, silk shirts, ties and t-shirts, waistcoats, and bags.
Other articles you might like: Type the code shown: This striking classical modernism was taken up avidly by ans style conscious avant-garde in the early s. Sue Timney and Graham Fowler are a design team of international repute who began working together after graduating in textiles from London’s Ahd College of Art. Although interiors followed fashion’s lead towards purer, simpler lines, by the end of the century fow,er, embroidery, and metallics fower a prominent role. On a much larger scale yet maintaining the same imagery are the Timney Fowler gun-tufted rugs—manifestly intended to be centerpieces, perennial designs like Coinhead and Timepiece, all resolutely in black and white, which speak for themselves.
Self-confessed “20th-century vultures,” their inspiration has been drawn variously from photography, mythology, classicism, and European history, and from the arts and crafts and aesthetic movements— this eclecticism expressed with bold graphic imagery and in an uncompromising monochrome. Show my email publicly. Their position in the forefront of British design has been recognized in the UK and internationally with the prestigious Textile Institute Design Medal for “outstanding contributions to textile design and management.
Although there has been no let up in the appeal and saleability of Timney and Fowler’s original style theme, much plagiarized by lesser talents, there have been moves to get away from visual typecasting. But while the source remains historical, there is also wit and a sense of the surreal. Their shirts and fashion accessories sell worldwide through retail outlets, as well from a New York showroom opened in Color has been creeping into the Timney Fowler scheme of things and, as the designers would have it, not before time.
The dynamic couple of Timney Fowler had created a stunningly unique look; their contrasting approaches of the formal intellectual on the one hand and flamboyant practicality on the other have been the recipe for an ever-evolving success story which has yet to slow down. Clients andd Yohji Yamamoto and Issey Miyake and the Japanese market has remained an important business connection. Strongly inspired by the etchings of Piranesi, the 18th-century Venetian architect, they capture the romantic characteristics of his work.